The News Review:

- Heavy ‘Metal’
- Death metal: the angry and perverse bully
- SUNDS: Adrenaline Rush
- DVD reviews: Loud and proud films document thrash metal scene

Heavy ‘Metal’
Wall Street Journal
That’s what having a single multi-purpose device is about. We can integrate games with other features or applications. For example maybe the content of the game would change depending on the music you’re listening to. Is it still true that you won’t make any more Metal Gear Solid games?Yes but that just means that I personally won’t design another Metal Gear Solid game because that leaves me with no time to make other games. I still plan to produce Metal Gear Solid games but will leave the creation to the younger members of our team. I don’t own the Metal Gear Solid series and I think games should be made for it as long as there are fans who want it kind of like James Bond movies. What kind of game do you want to make? I want to make games for gamers who like games so much they’re willing to sacrifice other things to play.

Death metal: the angry and perverse bully
Examiner.com
Soon death metal was as prolific as other metal genres and branched into fusion and sub-genres before dying down a bit in the later 1990’s. Despite the great number of bands death has largely remained an underground form of music due mainly to its generally over-the-top morbid lyrics and imagery. ften times in modern death metal bands seem to compete to be the most disgusting and blasphemous.

SUNDS: Adrenaline Rush
Las Vegas Review – Journal
There are still some virulently misogynistic strains of the genre although they tend to exist in the deep deep underground. And the scene’s all-time top-selling act Cannibal Corpse gained notoriety early on in their career with songs that revelled in violence toward women though they no longer explore those themes in their tunes. But when it comes to a band like Suicide Silence whose lyrics tend to revolve around matters of religion betrayal and revenge they’re more about a kind of confessional open-ended aggression that’s largely attributable to Lucker’s roots in nü metal music which largely revolves around personal feelings of rage and alienation rather than more fantastical tales of gore and bloodshed. Lucker’s dad who played guitar and gave impromptu lessons to kids in the neighborhood first got him into heavy music when he was still in grade school by buying him Korn Deftones and Sepultura cassettes. Soon Lucker was jamming with his brother’s band in the family garage singing Hatebreed tunes through a small 12-inch guitar amp and a cheap Radio Shack mic. Nowadays Lucker’s ascended to a different realm entirely. He just completed his band’s much-anticipated sophomore record and is going to hit the road with heavyweights such as Disturbed and Slayer on separate tours later in the year.
Related from Rondonaghe: Trekkies will boldly beam to Detroit

DVD reviews: Loud and proud films document thrash metal scene
Galesburg Register-Mail
Let’s just say those prayers went unanswered or were offered to the wrong rock gods. Two documentaries take different approaches to thrash metal. Both offer a folk history of how an unlikely sound came to define a decade long after the synthesizers faded.