The News Review:
- pen wide: ‘Teeth’ has some bite but fails to deliver on…
- Dream Theater | Music Artist | Videos News Photos & Ringtones |…
- Metal is the New Black
- The Gauntlet: Moonspell Metal News
- 3 Inches of Blood pools together a classic metal sound
- Cat Power: Jukebox : Music Reviews : Rolling Stone
pen wide: ‘Teeth’ has some bite but fails to deliver on…
Seattle Post Intelligencer – Jan 24, 2008
In science class Dawn finds personal significance in a lesson on evolution dealing with spontaneous mutations. The film’s first half contains a series of sharply satirical scenes. ne contrasts Dawn and stepbrother Brad (John Hensley): She rides her bicycle to school accompanied by heavenly choral music while truant Brad takes drugs abuses girls feeds his pit bull and plays with guns while death metal music blares in his devilishly designed bedroomThe turning point takes place when in a deft parody of 1980′s “The Blue Lagoon” an idyllic swim leads to a troublesome tryst. Boyfriend Tobey’s uncontrollable sexual aggression resurrects the fearsome teeth of the title which had been dormant since a childhood assault by Brad that cost him a finger. From here the film loses its bright satire and becomes a tediously predictable vigilante picture. Since nothing makes sense after the lagoon scene it might have been better had the toothy aspect of the film been limited to fantasy sequences The realistic use of such absurdity only drags the movie into a gutter where we the moviegoers have already been taken on too many occasions. Bill White is a Seattle-based arts and entertainment writer.
Dream Theater | Music Artist | Videos News Photos & Ringtones |…
MTV.com – Jan 24, 2008
Dream Theater is known for its high-energy concert performances. While they’ve released several live albums — Live at the Marquee recorded at the London club; Live in Japan recorded during the Music in Progress tour in 1993; and a triple CD and DVD Live Scenes from New York — they remain one of heavy metal’s most bootlegged bands. riginally named Majesty by Berklee College of Music students Petrucci bassist John Myung and drummer Mike Portnoy the band soon expanded with the addition of keyboard player Kevin Moore and vocalist Chris Collins. Releasing an eight-tune demo Majesty Demo as Majesty the group sold 1000 copies within six months. The departure of Collins in late 1986 left Majesty without a vocalist and after a long period of auditioning possible replacements the group settled on Charlie Dominici in November 1987. Changing its name the group agreed on “Dream Theater” inspired by a now-demolished California movie theater. Signing with Mechanic Records the group began working on its first full-length album… The band released the progressive rock-heavy Scenes from a Memory that year a conceptual piece that followed the story of a 1928 murder of a young woman and how a modern man is haunted by the crime. It was followed by Live Scenes from New York in 2001 which suffered from an unintentional bout with controversy when its original cover featuring the city of New York in flames was pulled due to the events of September 11. The group continued in the progressive metal vein in 2002 with Six Degrees of Inner Turbulence followed by the leaner Train of Thought in 2003 and ctavarium in 2005. The live album Score: XX was released in 2006 and featured the band backed by a 29-piece orchestra. It was followed a year later by the new studio album Systematic Chaos. Sherinian went on to record as a soloist and to play with a prog and jazz fusion band Planet X. Petrucci released an eponymously titled solo album in 2003 featuring accompaniment by Dave LaRue of the Dixie Dregs and Boston-based drummer Dave DeCenso.
Metal is the New Black
Emory Wheel – The Emory Wheel – Jan 24, 2008
Then four months later in December Warner Strategic Marketing a firm associated with the Elektra Entertainment Group and not WMG purchased 73. 5 percent of Roadrunner Records? parent company Roadrunner Music Group. And so 2006 ended with a glimpse of optimism although with the burning question: What was happening?The new millennium has seen a surge in counter-culture music but especially in metal and its sub-genres. Two new tours ? Sounds of the Underground and Taste of Chaos ? that cater to those with a harder musical palette went on their voyage cross-country treks while numerous artists who had been ripping up small concert halls for more than a decade received mad props from record-industry critics. (Metal veterans Machine Head has just now received a Grammy nod in ?Best Metal Performance? after being in the business for 15 years. ) Much of this success can be credited to money ? money that can be used to take more risks. ?What you?re getting now is an abundance of bands that were probably sitting in their garages for years that are now getting signed which is an amazing thing? Dez Fafara vocalist for deathmetal band DevilDriver and frontman of the now-defunct Coal Chamber said in an interview with the Wheel.
The Gauntlet: Moonspell Metal News
The Gauntlet – Jan 24, 2008
I also trust Ricardo’s skills and we made the best option possible in the end. Don’t take me wrong fellows! Nothing wrong with guitars. They are the soul the bread the flesh and heart the mind behind the aim in front the undisputed leader of all good and evil in Metal Music. But to hear to understand to endure all those layers all those details all the invisible mistakes and frequencies that only guitar players seem to communicate in it is sometimes too much for a poor modest and unable singer a serf of yours. So I kinda stay away and exercise my love at the distance of a finished record and song. I know I am being unfair to a painstakingly hard mature and demanding job but hey after all I am the one with free time to account the happenings and I could never feel totally welcomed at the great court hall of guitars (I just even happened to watch on youtube Abbath’s guitar lesson something beyond my shy understanding) at least not as an equal. So to say my observation was minimal but while having a go at the songs myself I could hear the job is properly done and that is up to someone else to endure the pain and to smile at the stringed achievements.
3 Inches of Blood pools together a classic metal sound
Phoenix New Times – Jan 24, 2008
0004 –>write to the editor | email a friend | print article |. Affectionately known to metalheads the world over as the NWBHM the genre’s sound was characterized by galloping rhythms operatic vocals and guitars that straddled the line between wailing classical-tinged solos and not-quite- thrash crunch. Epitomized of course by its most world-famous icon Iron Maiden the NWBHM nestles squarely in music history between the bluesy fuzz of the earliest stuff known as heavy metal — Sabbath Purple etc. — and the heavier stuff that would follow. Most of the bands however expunged the blues and straight-rock influences from their sound and took metal into more unabashedly white territory… The first bona fide song on 3 Inches’ latest album Fire Up the Blades is even called “Night Marauders” and the album is replete with lyrics about blade-carrying horsemen raiding once-enslaved lands blah blah blah. Listening to the album one gets an immediate whiff of role-playing geekiness. The music fills your ears with images of adolescent boys sitting around a table with game pieces and maps (or a Sega unit) when perhaps they should have been out doing physical activities and talking to girls. Ironically the totally unfeminine compensatory macho-ness of the music is bound to draw female admirers in droves. At least for the time being 3 Inches of Blood has somehow managed to look cool while Manowar remains a joke. Perhaps that’s because 3 Inches updates the classic Maiden sound with a tighter more thrashing more aggressive attack. But still the band has essentially made an entire career out of one idea so you have to wonder how ironic this stuff is supposed to be.
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Cat Power: Jukebox : Music Reviews : Rolling Stone
Rolling Stone – Jan 24, 2008
As members of the Dirty Three and the Blues Explosion give an open spooky gothic touch to Southern soul and rock moves Marshallturns Hank Williams’ “Ramblin’ Man” from a morning-after apology into a slinky lounge-singer tribute to life on the road. With a haunting slide guitar she sings about riding off into nowhere on the Highwaymen’s “Silver Stallion” and she lulls Sinatra’s “New York New York” into a sweetly languorousballad lingering over the words “vagabond shoes” more than the climb to the “top of the heap. ” Jukebox sounds like Marshall’s version of I’m Not There — a testament to the idea that “I is another” — andnothing drives that message home more than her reconstruction of her own song 1998′s “Metal Heart. ” No longer a whispered folk hymn it’s now a dramatic crashing-drums-and-piano love letter to the oldfragile Marshall who wrote it. “You will be changed” she sings.